His music has been described as "brash" by the New York Times and 'isolationist ambient' by Wire Magazine. He writes music for concertized, theatrical, and filmic environments, primarily through the use of electronic media and live performance. Mike Vernusky (born April 1, 1978) is a composer, performer and record label owner. Bariloche, Rio Negro, Arg), Universidad Nacional de Córdoba, Festival Guitarras del Mundo 2009, REDCAT Walt Disney Concert Hall among others. Maldonado gave concerts at Sonoimágenes 2007 (Internacional Multimedia Festival) Buenos Aires, "404" International Festival of Electronic Art Rosario, XVIII Electroacustic Music Nacional Meeting (FARME Córdoba), XXI Week of the electroacustic music and other media (FARME Santa Fe–Argentina) 6th "Encuentro de guitarristas en el sur neuquino", Buenache 2008 España, Visiones Sonoras 2005 (Mexico, D.F.), Manzana de las luces (Bs As-Arg.), Sala príncipe de Asturias (Rosario - Arg.), Conservatorio de las Rosas (Morelia- Mexico), Camping Musical Bariloche (S.C. His son, David Torkanowsky (born in 1956, from the first of his three marriages), is a jazz performer in New Orleans. Included are Beethoven's "Die Weihe des Hauses", Tchaikovsky's "Roméo et Juliette", Sibelius' Symphony no.2 (his final performance with the ensemble), Ravel's "Daphnis et Chloé", Schuman's "New England Tripych", Balada's "Fantasias sonoras", as well as his own composition, "3 Movements for Maine". Following his death, the Symphony published a double Compact Disc set of various performances dating from 1989 to 1992. In 1981, he was named Music Director of the Bangor Symphony Orchestra in Maine, where he remained until he succumbed to cancer at the age of sixty-six. Their cinematic installation work, The Hidden, premiered in New York City over the course of four nights of the 2009 MATA festival. Vernusky was also the recipient of the MATA Commission, where he collaborated with filmmaker Daniel Maldonado. His work 'Nylah' for classical guitar was completed during a residency in Mexico and later featured on Spectra: Guitar in the 21st Century, released on Quiet Design. In 2008, Vernusky received a commission from El Centro Mexicano para la Musica y Artes Sonoras to write a new work for guitar and electronic sound. Mike Vernusky received First Prize in electronic music at the Digital Art Awards in Tokyo in 2004. Walker has been featured in soloist engagements with the Philadelphia Orchestra, Oberlin Orchestra, the Encuentro Musical de los Americas in Havana, Cuba, the Detroit Symphony, the Colorado Symphony, Poland's Filharmonia Sudecka, and the Colorado Music Festival Orchestra, as well as at the Library of Congress, England's Lake District Music Festival, Centro Mexicano para la Musica y las Artes Sonoras, Peking University, and the Cork Orchestral Society Concert Series in Ireland.Īs a composer some of his works have participated in concerts and events held in Conservatorio Santa Cecilia (Roma, ITA) Espacio Sonoro UAM-X - Universidad Autónoma Metropolitana (DF, MEX) CMMAS - Centro Mexicano para la Música y las Artes Sonoras (Morelia, MEX) Museo de Arte Moderno de Ecuador (Quito, ECU) Universidad Nacional de Córdoba (Córdoba, ARG) Centro Cultural Roberto Fontanarrosa (Rosario, ARG) Centro Cultural de España en Buenos Aires and Centro Cultural Recoleta (BsAs, ARG). As a electroacoustic musician and composer, he has been a featured artist at the Visiones Sonoras XI, and a visiting artist at. He created large ensemble arrangements of the famous jazz artist Eugenio Toussaint. It was shown in the documentary film "Correspondencias Sonoras" (2013) by Manuel del Río, and has been directed since its founding by Ramón Souto.ĭavid Blink has been a featured artist at the. Vertixe Sonora Ensemble is a Spanish chamber orchestra founded in 2010 which specializes in contemporary classical music. His final thesis was about Film Music with the title “Un poco sobre bandas sonoras…y análisis de la música de algunas peliculas” (A bit about Soundtracks and analysis of some film music). Gan Quesada, Germán: “Propuestas sonoras para el nuevo milenio”, en CD “Alqibla”, "Documentos Sonoros del Patrimonio Musical de Andalucía", Centro de Documentación Musical de Andalucía, 2007. (2008) “Narrativas Sonoras | Políssonos | Digitópia”, EASI – Revista Annual de Som e Imagem, Escola de Artes da Universidade Católica Portuguesa, Porto. La Sonora Santanera - "Grandes Exitos de Las Sonoras: Con La Más Grande, La Sonora Santanera" Ha compuesto las bandas sonoras originales de los siguientes audiovisuales:
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